“To have something be uncanny, you must first introduce the familiar,” says Lizzie Gill. Likening her compositions to a dining table’s place settings, the artist paints elaborate still lifes that…
Read Full Recipe“To have something be uncanny, you must first introduce the familiar,” says Lizzie Gill. Likening her compositions to a dining table’s place settings, the artist paints elaborate still lifes that…
Read Full RecipeArranged by size and hue, the blooms in Krzysztof Grzybacz’s large-scale oil paintings appear in comfortable togetherness, each individual’s features amplified by its placement next to those that differ. His Floral…
Read Full RecipeArranged by size and hue, the blooms in Krzysztof Grzybacz’s large-scale oil paintings appear in comfortable togetherness, each individual’s features amplified by its placement next to those that differ. His Floral…
Read Full Recipe
